Lots of people - like, for instance, me - have absolutely no taste for his kind of soft-batch operatic balladry, but that sound turned this particular Brooklyn-born lawyer into the final boss of the music business - a cigar-puffing Bowser in orange-tinted aviators. ![]() Davis, the domineering music-business giant, made his name by signing Big Brother And The Holding Company and Santana in the late ’60s, but he made his fortune by pushing grand and overwrought love songs on an American public that was only too happy to buy them. “All The Man That I Need,” Whitney Houston’s ninth #1 hit, was a Clive Davis special. In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present.
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